The Shiva Friend

In the Jewish faith when a person dies, there is a formal grieving process that includes something called sitting shiva. The general idea is that the immediate family of the deceased ((children, spouse, siblings, parents) gather in one place and mourn intensely for seven days. The ritual comes from the Hebrew word for seven, which is sheva. During this time the mourners are visited by anyone who wishes to pay respects. Mourners are expected to be uncomfortable in their grief, so you will often see them sitting on low chairs. You will also often see them wearing torn clothing (or symbols of torn clothing), and in order to avoid vanity, you will often see reflective surfaces in the shiva house obscured somehow. Sitting shiva is not hosting, so mourners are also not expected to entertain, clean the house in preparation, or arrange for any food/refreshments for themselves or others. They are not really even supposed to get up when someone arrives, so you will often see the door unlocked or even slightly open, as people arriving are meant to let themselves in. I am not an expert in the strict rules regarding shiva, so I will not attempt to explain it further than that, and I apologize if even in that short explanation I have gotten something wrong. If you want to learn more, this link has some good articles: https://www.shiva.com/learning-center/sitting-shiva.

I will add that the observance of shiva varies quite a bit, from number of days to how many hours/day visitors are expected, but the theme of it is consistent: mourners gather to grieve, and the community gathers to support them. The grief and shock of losing someone so close to you that you are in a position of having to sit shiva is more than disorienting. It can be completely destabilizing. You don’t even know what you need, and you’re often not in a position to take care of even the smallest details. Your world is splintered, and there is a sort of terrible tide that carries you forward that you are helpless to resist. It’s awful. But sitting shiva is a very deep and meaningful way to begin the healing process. Personally, having lost both my parents, I have sat shiva twice. And I found that it was like that trust exercise where you close your eyes and fall backwards. When you sit shiva, it is like falling backwards into the arms of the community. And right there standing at the front of them all, is the person (or persons) I call the Shiva Friend.

At my age, in addition to the times I have sat, there have been quite a few shiva houses for me to visit. In almost all cases – definitely mine – I have seen a Shiva Friend at work. It is one of the most beautiful and selfless acts of friendship that manifests. I was moved to try and write about this at a recent shiva of some close friends of ours, whose mother had passed away.

In Jewish tradition the funeral is supposed to happen within 24 hours of the death, although sometimes it takes a bit longer, and shiva starts right after the funeral, so there is not much time. The Shiva Friend doesn’t ask if there’s something they can do. They don’t say “if you need anything, anything at all, call me,” although there’s nothing wrong with those sentiments. The Shiva Friend is next-level though, and it takes a very special kind of heart.

The Shiva Friend shows up at the shiva house as soon as they find out someone has passed. They know that soon there will be many people coming and going, and even though the mourners are not supposed to be hosts, everyone knows that you want the place to look nice. I have witnessed these friends cleaning houses so thoroughly that they were dusting baseboards in the bathroom, and cleaning the crumbs out of the toaster. But that’s just the first stage. They also know that it is tradition for there to be food for the mourners and the visitors, and that the community will also want to show their support by providing meals. The Shiva Friend will usually arrange for the food on the first night, and make sure it is all set up before people arrive. They will coordinate with people who want to contribute a meal to make sure that it is organized and that food arrives and is ready on time. They are at the shiva every day, supervising, cleaning, making sure the mourners are comfortable and not troubled by the things that would normally trouble a person who has crowds of people arriving at their home. They stay at night after everyone has gone and make sure the leftovers (and there are so many leftovers!) are wrapped up and refrigerated, and that the place is clean.

Nobody asks them to do this. It is not an occupation. They simply take that burden. They don’t even think about whether they should. They just do it. And what’s even more special, is that it’s often not the person you would think of as your closest friend. But when you see it happening, you realize just how special of a friend they are, and how you need to make sure they understand how much it means to you.

You don’t have to be Jewish to be a Shiva Friend. I have often seen this act performed by non-Jewish friends. In fact, you don’t even need a shiva to be a Shiva Friend. It’s a manifestation of friendship that says:

“You don’t have to ask. You don’t have to repay me. There is no ledger to be balanced. I see your need. I am in a position to help. And I will help. That is all.”

I don’t think everyone is capable of this, and I think that’s ok. But I do know that if you have someone like that in your life, you know how blessed you are. And if you are that person, I see you. I appreciate you. I thank you.

Thanks for reading,
Rich

The Arts – Polish For the Soul

First off, a quick apology to anyone who follows me for my lack of blog posts. I have been writing them – but they are all sitting in my draft folder. However this one is special.

So this past weekend I went to New York City with my son for a quick trip. We had tickets to see the Sunday matinee show of Hamilton, and at the last minute when we were there we also decided to get tickets to see Fiddler on the Roof. I could probably write a small novel on how awesome it was to spend a weekend in NYC with my almost 19-year old son, but that’s not what this is about.

This is about Art.

In my 47 years on this planet I have learned one thing about humans – we tarnish. Or more specifically, our souls tarnish. It’s not a bad thing – in sterling silver, tarnish is just a natural result of exposure to air. It does nothing to diminish the silver underneath, nor does it change the essence of the silver in any way. What it does is make the shining core progressively less visible to the world. With tarnished silver there are two ways to reveal the shine – you can score the surface where the tarnish is and reveal shining silver underneath, or you can gently polish the tarnish for the same result. Scoring the surface leaves scars, but does not affect the shine. Polishing leaves no scars.

When it comes to humans, we are all born shiny. Like new silver, our souls gleam and light the world around us. You don’t have to be a philosopher to know this – just watch the faces of all the adults the next time you see a little girl on the subway singing made up lyrics about the ads on the walls. Her soul is bright and shiny and we love it. But as we get older our exposure to life adds layers of tarnish. I get that this sounds negative but it really is not. It’s natural. Our light does not dim – it just becomes more hidden. Personally, I’ve seen three things that can bring it out again.

The first is grief. Live long enough and you will get scored by grief – it’s inevitable. It hurts like hell. But something miraculous also occurs. Grief cuts through the tarnish. In the terrible grasp of grief, people return to that vulnerable state of openness and childlike trust. It doesn’t make it hurt less, but it does remind us how beautiful our soul is. It leaves us scarred, but not less wonderful. It also leaves a memory of that vulnerability that was our souls shining where the tarnish was removed. It’s not a scary vulnerability but a precious one. However the tarnish returns, and nobody should ever be subjected to grief as a means of therapy.

The second is celebration. Weddings in particular are where I have seen peoples’ souls shine. Listen to wedding speeches from people who are truly in love – and even the speeches from their families and friends, and you’ll know what I mean.

The third, and to me the most significant in that it can be called upon at will, is art. I really do mean art in all forms (and as an aside, check out my other website where I feature my own drawings: Studio Dlin), but my focus here will be on theatre, and specifically on the shows my son and I saw this past weekend.

Saturday night was Fiddler on the Roof. This is a show I know very, very well. I actually have had the pleasure of performing the role of Tevye in it, and I love the show dearly. Anyone familiar with the show will know that Act 1 is loaded with warmth and humour, right up until the final scene. Act 2 is heavy, with not nearly as much laughter and with a lot of emotional, even painful moments. As you’d expect from Broadway, this cast and the production were outstanding. Because I know the play so well, and because I played Tevye, I was actually simultaneously performing the show in my head as it unfolded. I found myself in the story.

Tevye loves his daughters deeply and tenderly. I loved them too. Tevye loves his people and his town. I loved them too. Tevye suffers poverty with a smile and an honesty that is undeniably human, and I did too. In Matchmaker, his daughters discover how terrified they are of being committed for life to a marriage someone else chooses. I was terrified too. The townspeople suffer at the hands of an oppressive Tzar, and I suffered too. Tevye and his daughter Hodel say goodbye forever when she decides she must go live in Siberia when Perchik is arrested, and I was both father and daughter in that moment. Tevye then must say a much harsher goodbye to his daughter Chava when she decides to marry out of the faith, and his traditions force him (and to a slightly lesser extent his wife Golde) to treat Chava as dead. In that moment I was father, daughter, wife and husband. When all the Jews are forced to leave Anatevka at the end of Act 2, I was every one of them – even the Russian constable who had to inform them of the edict. I laughed, cried, danced in my seat and sang along (in my head!).

Sunday afternoon came and it was time for Hamilton. My son and I have both listened to the soundtrack many, many times. Being younger and possessed of both a greater quantity and quality of brain cells, my son knows the lyrics practically by heart. I also know them very well. Not by rote, like with Fiddler, but well enough to sing along and certainly well enough that I know the whole story as told in the play. From the moment the lights went down to the moment it was time to leave I was once again living the story. Just as it was with Fiddler, every scene placed me firmly in the hearts of the characters. When Hamilton’s mother died holding him I died with her, and I survived with him. When Hamilton, Laurens, Mulligan and Lafayette are planning their glory, so was I. When Eliza was anxiously watching Alexander as he is trying to win over her father, I was all three sisters, I was Hamilton and I was Philip Schuyler. When Angelica told the story of falling for Alexander right before introducing him to her sister Eliza, I was all three of them. When Burr presented himself to Washington just before Hamilton arrived in the office I was Burr doing what he needed to do to get ahead, Washington carrying the burden of leadership and Hamilton with his burning desire for glory, not recognizing the real power that set him apart. I was Burr dismissed by Washington and Hamilton not knowing what Washington really wanted him for, and I was Washington seeing it all from the lens of maturity and wisdom and also knowing there’s no way to explain it to either Hamilton or Burr, and knowing that only life would teach them. I could go on.

And I will.

I was Samuel Seabury trying to defend a way of life I didn’t understand was an illusion, getting bullied by someone with more clarity and intelligence but not understanding what I was wrong about. I was King George, unable to see or comprehend a world outside the carefully constructed and preserved cocoon of royal privilege. I was an American soldier fighting for independence. I was Hercules Mulligan and I got knocked down and got the fuck back up again. I was a redcoat in a war decreed by my king, fighting across the sea away from my home. Fighting against people who were fighting for their home. I was Charles Lee, in over his head and not comprehending the stakes – only the glory of my title. I was the British soldier finally given permission by a superior officer to wave the white flag, and doing so with a weariness that permeated to my core.

I was Philip Hamilton showing off nervously for his imposing father, while honouring the lessons of his caring mother, and at the same time I was the father and the mother. I was Jefferson coming home, and Madison celebrating the return and the support of his like-minded friend. I agreed with Jefferson AND Hamilton, and felt both their passion. I was Washington knowing I had to step down, even if I knew that what was coming was not what I would have done. I was Maria Reynolds, so beaten down by cruelty that my principles were skewed to a place where any momentary relief from the reality of my life justified any means to get it. I was the asshole James Reynolds, and it sucked. I was Eliza realizing she’d been betrayed, and that sucked more.

I was George Eaker, cocky and arrogant, and Phillip Hamilton, the child-man. I was the shooter and the victim. And then I was the mother and the father, when my heart was thrown into a wood chipper as we watched Phillip die. I somehow continued to live, as they did. I was Burr campaigning, I was Hamilton supporting an enemy with principles over a friend without. I was Burr driven by frustration and rage, and I was Hamilton ultimately admitting defeat to the price his family had paid for his drive. I was Eliza for 50 years after that.

I was all of this and more, and all in two doses of 2 hours and 45 minutes (Hamilton and Fiddler have the same running time). In those moments my soul was shining thanks to the gentle polish of the performances, and it still is. And as I looked around the theatre after Hamilton it struck me. Hundreds of people had experienced the same thing. The same tarnished souls that had entered the theatre were all shining brightly as they left. The building glowed with it.

Now of course, just as sterling silver does, we will all tarnish again. But here is the beauty of art, and the point of this blog – the polish is always there. You just need to use it. Celebrate the arts. Partake. They are the real expression of our souls.

Thanks for reading,

Rich

Grief vs. Misery

During a conversation with a friend today I had occasion to think about the grief and misery I felt when my mother passed away almost five years ago, and also when the very young son of a close friend of mine passed away about two years before that. Grief. Misery. Two highly emotional words. I never really thought about them separately before, but they are quite different.

In both experiences the grief of the loss was immediate and profound. And in both cases the misery was painfully intense. In my conversation today I realized how separate these two emotions are when it comes to loss. Grief is a natural emotion stemming from losing someone you love. It’s that feeling of having something critical to your existence removed, violently and without your permission. It’s a feeling that combines powerlessness, loss and anger. It’s natural and even essential for continued survival. It paves the way for acceptance and growth.

When I think of my mother these days, I think of her beautiful soul, her love, and all that she gave me that makes me who I am now, and who I am now is someone I like. I owe her that, and my grief over her loss provided an intensification of my understanding of that.

When I think of my friend’s son, I remember how happy he was, how much joy he brought with him into a room, and the way he played with my kids when he visited from out of town, as if they’d been friends forever. I remember the way his passing brought so many people together – people who unquestioningly put aside any issues they may have had with each other so that they could be there to support the family and show that in times of extreme despair there is a community whose arms you can fall into when tragedy buckles your knees. To him I owe my ability to see past the petty sheen of casual interaction through to the deeper beauty of humanity. My grief over his loss brought me there.

Both losses still make me sad. That does not make me angry. I accept the sadness as part of my understanding of myself and others around me. The sadness is completely intertwined with my gratitude for having known them. When it surfaces, I feel the gratitude and joy right there with the sadness and I smile. The emotions coexist, as they should.

But then there’s misery. Misery doesn’t teach you anything and it doesn’t help you grow. Misery is a manifestation of your desire to punish yourself as a way of dealing with grief. When you lose someone, your helplessness can overwhelm you. It makes you want to hurt yourself as punishment, and misery is the device your brain will use to that purpose. When you let your grief bring misery, especially prolonged misery, what you are doing is enabling a self-induced torture to atone for your inability to recover the loss, and/or for your guilt at survival. Because you can neither bring a lost loved one back, nor justify emotionally your survival over theirs, you invoke misery as a way of evening the cosmic scale. But it’s a false need and it blocks your grief. Your loved one does not want you to suffer the misery. They want you to absorb their legacy and use it to be bigger and better than you were.

So accept your grief and let it wash over you, but resist the temptation to fall into misery. Nobody can control whether an emotion surfaces or not, but you can use your rational brain to evaluate the source. Experience the grief, and it will pass into something more. Reject the misery.

Thanks for reading,

Rich