father – Experience Has Made Me Rich

Thoughts From a Dance Dad

Lately it seems as though the amount of time I have to write is inversely proportional to the amount of ideas I have to write about. But today’s entry is about something I’ve been thinking about for years: Dance.

Early Years

My daughter is a competitive dancer. She’s 15, and has been dancing since she was around 3. She’s gone to countless dance camps, workshops, and of course classes. So I have been a dance spectator for about 12 years. Prior to that I knew next to nothing about dance, save for the fact that I have never been any good at it.

At first, dance was pretty much entirely about how cute the kids all looked executing choreography. They got to wear these elaborate costumes and perform for friends and family at recitals. The teachers and teaching assistants are always on stage at the same time as the kids, and the kids essentially never take their eyes off them, mimicking the movements they’ve all spent months in class learning. It’s exceedingly adorable, and naturally every person who comes to watch immediately rushes to them afterwards to tell them how wonderfully they danced. In short, it’s a typical exercise in getting kids involved in an activity that provides some structure around working toward a goal, and then the kids get congratulated on essentially existing for the duration. And it’s awesome.

As the years progressed, we saw less and less boys involved. I won’t attempt to analyze that or comment on why it might be, but political minefield notwithstanding, it is true. This meant that as the dancers grew, it became – for my daughter’s group at least – a girls-only activity.

Emerging Talents
Starting around the age of 8 or 9, and lasting for 3-4 years, it starts to become obvious which of the girls are well suited to dance and which are not. This obviousness is not lost on the girls. Dance becomes a micro-society where “Haves” and “Have-Nots” start to identify, and the behaviours that result are what you would expect. In a way it mirrors what is happening at that age in school, but from where I sat it was definitely magnified at dance. These can be pretty difficult years for the girls, and perhaps more so for the parents. As I watched from the sidelines, I always told myself that whether a Have or a Have-Not, there are very valuable lessons to be learned from these dramas, and whether my daughter was receiving or giving grief (it certainly seemed she was receiving a lot more than giving, but nobody ever accused a dad of being impartial), my wife and I always did our best to ground her in reality and look for the long-term life lessons that could be taken. I do think, subjectivity aside, that I can safely say my daughter began to show real talent for dance during this time. I can also say, objectively this time, that she emerged from this phase with an inner-strength and confidence that is astounding. As I watch her navigate the social quagmire of the tenth grade, I am exceedingly proud and awed at how well she manages to stay true to herself and her friends, while gliding above the drama that can consume most kids of that age. She never judges others, and always stays honest in helping her friends deal with whatever the current issue is. In and out of the dance world I have watched her handle victories with honest grace and compassion, and failures with resolute determination. She’s my hero, and I firmly believe we have the “emerging talent” years of the competitive dance program to thank for that.

From Girls to Women
As the girls mature into women, things change at dance in a way that I could never have understood if I were not so immersed in it. This phase is not something I came to understand only as my daughter entered it – the nice thing about being a dance dad is that every recital and dance competition you attend features dancers from all the age groups. So that long before my daughter was in high school I have been observing this stage of a dancer’s development. I also have the added advantage of being a high school teacher, and so for my entire career have had the pleasure of seeing how dancers take the lessons from dance into seemingly unrelated arenas, like a math classroom, which really is my domain. Having a daughter in dance always made me pay attention to how older dancers behaved, kind of as a way of glimpsing my daughter’s future. Here are some observations I’ve made over the years, and observations I have now had the pleasure of seeing manifest in my own daughter.

Dance is a Language
This is not metaphor. Dance actually is a language. It took me some time to fully appreciate that. Because of my daughter’s involvement in dance, our family has been watching So You Think You Can Dance since season 2. It’s a great show to be sure, but I admit at first I was too absorbed in marveling at the physicality of it to understand what it communicates, despite the fact that the judges on the show really do a great job emphasizing this (I always assumed they were saying it metaphorically). But like a child that learns to speak simply from hearing the spoken word and contextually absorbing meaning from the sound, I began to absorb meaning from the movement. The first thing I realized was that unlike languages that use words, dance doesn’t translate to any other language, and communicates things which can’t be communicated any other way, with the possible exceptions of fine art, or poetry. Really good fine art will enthrall and speak to the viewer through infinite contemplation of something static. Really good poetry succeeds at using words which individually can be quite linear, by combining them in a way to create depth and consequently say something the language the poem is written in was not necessarily designed to say. Really good dance? A different thing entirely. It speaks to our humanity on multiple levels, and the fluidity of it allows the choreographer/dancer to tell us stories no written word could approach.

Words are discrete, and a picture is static. But motion is a continuous medium, and the very continuity of it results in an infinity of expression within a finite frame of time and space. It has been said that dance is poetry in motion, but I honestly have come to see it in the reverse. Poetry is dance stood still. I can’t find words to describe this any better, because words will fail here. If you want to know what I mean, watch dancers. And in the same way that second and third languages improve thought processes and imagination, so does dance – but it does so in a way that is magnified a thousandfold because of its unique method of delivery, and because of the world of thought and emotion it opens up for communication. It also is unique in that you don’t have to be able to speak it to understand it. You only have to watch.

Dancers Make the Best Actors
Because of my passion for theatre, I have had the immense pleasure of being both actor and director in various musicals. And here is what I’ve noticed – not all great actors are dancers, but all dancers are definitely great actors. To me there is no mystery as to why this is. Many actors focus on the words they’re saying or singing, trying to pour all of the character they’re portraying into the delivery of the lines or lyrics. Physicality is often an afterthought, or a simple by-product of the emotion they are feeling about the performance. For dancers it’s entirely different. Because of their fluency in dance, they are simultaneously vocalizing and dancing the performance. By dancing I don’t mean the choreography that often accompanies musical numbers, although naturally a dancer excels there. Rather I mean that they are speaking to us in two languages simultaneously. And even those of us not able to communicate with dance can still understand it. So I have often found myself thinking of a dancer “It’s not a je ne sais quois she has. It’s a je sais qu’elle est une danceuse” (yes, you have to speak some french for that one 😉 ).

Dance is Empowering
Okay. So obviously dance results in physical fitness. You can always spot a dancer by their muscle tone, posture and grace in simple movement. The importance of this can’t be underplayed. But the kind of empowerment I’m talking about here is more than that. I remember once at a dance recital there was a senior acro small group number about to start (see what I did there – Dance Dad knows the terminology). It was clear from the opening positions that one of the dancers was going to execute a crazy trick to start the dance. Before the music started there were hoots and hollers from the wings and from the audience, and one dancer’s voice from the wings rang out with “You GO girl!”. I was momentarily taken aback. I think maybe I had just read an article or watched a show where that phrase was called into question as demeaning to women. And then I looked around. The stage and venue was dense with strong, confident young women, certain of themselves and certain of their power. And the dancer who called it out numbered among them. I couldn’t see anything demeaning at that point about what she had said, but on a deeper level I realized just what dance had done for these kids. It showed them what inner strength, determination and dedication could do. And so naturally I began to think about the dancers I’ve taught in my math classroom and I had this moment of revelation. It is exactly that quality that has always made them stand out to me in that setting. Not that they all excel in math, because not all kids do. But that regardless of their abilities in math, there is always an inner strength and peace that says “I know who I am, I know what I can do, and I know how to commit to improving.” Where many students in high school still need the explicit motivation that our culture seems to thrive on too often, the dancers have internalized their motivation in the best way. I can’t say enough how important that is for success in life.

Thanks for reading,

Rich

On the One Year Anniversary of my Heart Attack

So August 26th of this year marked the one year anniversary of my heart attack. I actually haven’t written a blog since the one I wrote about that day. That’s not as significant as it might sound – I have rough drafts for 3 different ones that I started but I’ve been busy with other things and haven’t devoted as much time to writing as I’d like (something I regret quite a bit). But for the anniversary of H-Day I thought it would be good to write an update on what has happened this past year. I don’t think a chronological narrative would make much sense, and besides, I don’t have that great a memory. So I’ll go with more of a stream of consciousness approach.

As you may know I am a high school math teacher. The heart attack happened exactly one week before the start of the 2014-2015 school year. Although many people couldn’t understand how or why I did it, I actually worked right from the first day of school. I certainly could have taken some more time to recover, but I didn’t feel I needed it that badly and the doctor said that if my job didn’t require heavy lifting and I felt okay there was no reason not to work. My reasoning for starting was that it was easier for everyone involved – students wouldn’t have to adjust to a new teacher twice, the school wouldn’t have to scramble to find someone to cover my classes and my colleagues wouldn’t have to worry about teaching more than their own course load. Now, almost a year later, I can say that the decision to start right away was neither good nor bad. If I had waited things would have been just as fine as if I had not. It’s funny how so many decisions in life seem important when they really are trivial. I took things easy at first and let my body tell me when I could ramp up, always erring on the side of caution. For example I took the elevator instead of the stairs for a couple of weeks, and kept my boardwork lower on the board (so as not to raise my right arm too high after the angio) for about a week.

One thing that I learned from my first follow-up with the cardiologist was that I have no “modifiable risk factors” for heart attack. Basically it’s good old genetics. I don’t drink or smoke. I have low cholesterol and low blood pressure. At the time of the heart attack I was overweight but by no means obese. I was keeping fit with heavy weights and regular though limited cardio. This was disturbing news – I mean it would be nice if I could just stop something I was doing and know I was preventing another heart attack, but as the cardiologist said, at least now I know. I had three partially and one fully blocked arteries, and except for one of the partials they were all stented. The one that was not stented is very small and doesn’t supply a large area, so that other arteries nearby can cover what it doesn’t manage. I am on a cholesterol medication that has been shown to prevent plaque buildup in arteries and even to slightly reduce existing plaque. I am hyper-aware of my heart so if anything does deteriorate I will be on it right away. In the meantime I decided to do everything I could do. As soon as I got the green light to resume exercising I began a cardio regimen of 45 minutes, 5 times per week. As of this moment, I have averaged exactly that. I say averaged because there were three weeks where I didn’t manage to get all 5 sessions in, but always compensated in succeeding weeks by adding sessions. Three different vacations didn’t keep me from my cardio. Some people tell me “Hey, you’re on vacation, give yourself a break.” My response is my heart doesn’t know I’m on vacation, there is no such thing as a break.

I also cleaned up my diet. Not that it was that terribly unclean to begin with. But I did eat a lot of red meat (3-4 times per week, sometimes more), and 2-3 times per week allowed myself cheat meals like KFC or Burger King, or just really decadent meals at restaurants. Now I eat only lean red meat, and only 1-2 times every month. I’d say over the past year I’ve probably had red meat about 15 times. My protein mainly comes from white meat chicken, fish, and some vegetarian sources like beans, quinoa, and nuts or nut butters. I eat very little fat, and almost no saturated fat. What fats I do eat come from the fish or chicken, or light salad dressing, which I use extremely sparingly. I don’t measure my food, but I never eat until I am stuffed. That’s also a change from before. For this entire year I have not felt stuffed even once. And I still eat a lot – probably 7-8 times each day. A lot of fruits, berries, vegetables and nuts fill out my diet.

So what the diet and cardio have done is resulted in fat loss. I spent my entire adult life struggling with fat loss – often successfully but not always. Each time the goal was fat loss. Now the goal is not that at all. The cardio and diet are to keep my heart healthy. The fat loss is a side effect, albeit a pleasant one. When I had the heart attack I weighed 225 lbs (down from an all time high of 245). Because I am a hobby bodybuilder that’s not as heavy as it sounds, but I was certainly carrying too much fat by an obvious margin. My weight this this morning was 189. I won’t lie and say that I’m ambivalent about that – I am overjoyed. But it wasn’t and isn’t the goal.

Speaking of exercise I also resumed lifting weights about 6 weeks after H-Day. This was with the doctor’s blessing. At first I kept things very light and let my body tell me when it was ok to go heavier, again always erring on the side of caution. I don’t remember the exact timeline but I’d say after about 3 months I was more or less back to pre-heart attack form. The weights and the fat loss are visually pleasing to me. Here are a few vanity photos of the impact this has had on my look.

I’d actually like to include a photo I took when I was 245 lbs but my computer is currently deciding I’m not allowed to look through old photos – thanks Windows 10.

The great news is that after the heart attack the cardiologist who saw me at the hospital said my heart was damaged (on a scale of 1 – 4 where 1 is the best, mine was a 2), but on my six-month follow up visit I had managed to return it to a level 1. The words of the cardiologist were “Except for the presence of the stents you have the heart of a healthy, athletic adult male with no sign of trauma.” And that, ladies and gentlemen, mattered profoundly more to me than how I look, although that is what people see.

Whenever you lose a lot of weight, or otherwise significantly change your look to something more aesthetic, people always want to know how you did it. The truth is I did it by having a heart attack. That flicked a switch in my mind that had never been flicked before. I no longer have a choice about eating well and exercising, which can read differently than I mean it. What I mean to say is that I know all to well what a struggle it is to have to make good decisions about healthy eating and exercise. To choose not to have a sundae and opt instead for the fruit salad. For me, now, the sundae is not a choice. Nobody is forcing me not to have it – it has been removed from the list of options by something outside my control. It’s actually pretty liberating. So my answer when people ask how I did it is to say “Well, step 1 is … you don’t want to do step 1.” Because Step 1 was have a heart attack. I didn’t decide to start looking better and then do something about it. I had a heart attack and this is how I am doing my best to prevent a repeat. I will say that I have had the odd dessert here and there. But each time I have done so it’s literally been a tiny forkful (as in just the tip of the fork) so I could taste it. The forkful concept would have seemed ridiculous to me a year ago. Now it is legitimately enough. I don’t have the forkful and then look longingly at the rest, wishing I could have more. The forkful does what I needed – it gives me the taste and that is enough. Once again this is not a choice I am making, or a philosophy I am forcing myself to embrace. It just is the way my brain works now – I didn’t deliberately activate it. If I did I would write a book about how. Another example is that there have been 4 times (no, I’m not counting I just remember them) when I have eaten one french fry at a meal. Because I wanted the taste.

Emotionally/psychologically it would be a lie to say I have not been affected. The day I had the heart attack one of the reasons I didn’t call an ambulance as soon as I should have is because I didn’t want to scare the kids. There’s no way around the fact that when your dad has a heart attack it’s scary. Same goes for my wife. The very last thing I want to do is scare them or have them worry. That said I am now hyper-aware of what is going on in my body, and especially my chest. And guess what? Chest pain happens, and it’s not generally a heart attack. Gas happens (especially because it is a side effect of some of the medication I am on). The pain can cause anxiety. Anxiety can cause chest pain. It’s a hilarity-filled ride. I can’t specifically recall how the heart attack itself felt – I just know it hurt but was not as intense as you’d think. I feel as though if it were happening again I would be sure. But I’m not sure if that’s true. So there are days when I find myself worrying. However with the cardio regimen I’m on I can always reassure myself that I wouldn’t be able to do 45 minutes of intense cardio without accompanying intense pain if I was actually having another heart attack.

On that note, when I started the cardio after the heart attack I was keeping my pulse rate in the 120’s, although my doctor did say I would be able to push it higher as I healed. As of today I usually use my elliptical machine (I have a gym in my basement although it has evolved since that blog about it), and the heart rate monitor I bought shows I’m keeping my heart rate in the 140-150 zone, which I made sure was ok with the cardiologist. Speaking of heart rate, I also take my blood pressure daily, and it stays in the 115/75 zone, with a resting heart rate of around 60 bpm.

One thing I have found recently (as in, the last 5 weeks or so) is that drawing is great therapy. It is extremely calming and does a great job of centering my thoughts. I highly recommend it. Another thing I’d have said if you’d asked me a year ago was that I can’t draw for beans. I never really believed I had any talent in that regard. But I have watched hours of YouTube tutorials and have been drawing every day. The therapeutic aspect can’t be overstated. It turns out when you practice something you also improve. Here is one of my earliest attempts at a portrait and one of my most recent ones. I’m no pro and may never be one, but the improvement is real and that’s only about a month. Therapeutic, fun, and inexpensive – I highly recommend it.

Wow. Ok this really has been stream of consciousness style. My writing is usually more organized than that. Ah well. This one wasn’t about writing, more about an anniversary summary. I admit I didn’t proofread that carefully either – forgive the errors. I am always happy to answer questions or offer assistance if I can. Leave me a comment and I will respond.

Thanks for reading,

Rich

So it begins…

I’ve read a lot of blogs by people who have some pretty intelligent and interesting things to say or share. Sometimes when I’m reading one of those I think,

“Hey, I should start a blog too. I’m interesting! I’m intelligent! I like sharing!”

Then I remember that I’m possibly the only person that thinks that. Okay my wife and kids too. But I’m not sure my kids count since I’ve conditioned them to believe it. And my wife well … she must be slightly off to have married me in the first place so …

And yet here it is. I started a blog. What to expect? Because I am a high school math teacher, here I’ll likely rant about education, and how math is too often taught in a way that scars people permanently from about grade 5 on. Because I am a father, you’ll probably catch a musing or two about how I think kids should come with a manual – or at least a YouTube tutorial. Because I am a husband there is a very real possibility you’ll encounter a thought here and there about what marriage means to me, and how I can’t get over how many guys mess it up. Because I lift weights, you will certainly read posts about workouts, inspiration, transformation and frustration. Finally, because I do a lot of amateur theatre, expect a bone here and there about how that goes.

That is, assuming anyone is reading. Which is really the mystery to me. Who reads these? (me, I guess) Why? (because people link to them on Facebook, to be honest). Who would read mine? Well I suppose I’ll find out.

Thanks for reading,

Rich